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French city Amiens asks Madonna for loan of lost painting

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French city Amiens asks Madonna for loan of lost painting

The mayor of Amiens in northern France has released a video “requesting” that Madonna “loan” the city a painting from her personal collection, which resembles one lost there during World War I.

The 19th-century work, “Diane and Endymion” by artist Jerome-Martin Langlois, is “likely” the same one “loaned by the Louvre to the Fine Art Museum in Amiens before World War I and which subsequently disappeared”, Brigitte Foure said in a video message to the Queen of Pop posted on Facebook.

“Obviously, we don t dispute in any way the legal acquisition that you made of this work,” Foure added.

Instead she asked the singer for a “loan” to exhibit it in 2028, when Amiens hopes to be the year s European Capital of Culture.

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Lending the image would allow “the inhabitants to discover this work and enjoy it,” the mayor said.

The painting s possible provenance was suggested by newspaper Le Figaro in an investigation published this month.

Sold at auction for $1.3 million to Madonna in 1989, an art conservator spotted the monumental work in a photo of her home published in magazine Paris Match.

It represents a mythological scene of the bare-breasted goddess Diana approaching the shepherd Endymion.

“I m not certain that it s the actual painting”, but even if a copy, “it s extremely similar to the work” and “I d like the people of Amiens to be able to see it again,” Foure said.

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Langlois  original work was ordered in 1817 to decorate the royal Versailles palace outside Paris, said Francois Seguin, interim director of the Picardie Museum — formerly Amiens  Fine Art Museum.

It was loaned by Paris  Louvre Museum to the northern city from 1872, until being declared missing after World War I.

Madonna s painting “is almost certainly a copy, most likely by the artist himself”, the Louvre said when it exhibited the painting in 1988.

Her version lacks the artist s signature, the date of the work and his stamp, and is around 3 centimetres (one inch) smaller than the original, making it “not very likely” that it s the same work, expert Seguin said.

Nevertheless, “it s the only evidence of the work that was lost,” he added. 

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Noorul Hassan joins star cast of Selahaddin Eyyubi

Noorul Hassan joins star cast of Selahaddin Eyyubi

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Noorul Hassan joins star cast of Selahaddin Eyyubi

Noorul Hassan, a popular TV show host and a veteran TV actor known for his versatile roles in several drama serials over the last two decades, has joined the star cast of the Turkish drama serial Selahaddin Eyyubi, which is a combination of action, historical drama and adventure.

A private TV channel will soon telecast Selahaddin Eyyubi in the Urdu language. 

Previously, this drama serial is being telecast by a Turkish TV channel at 9pm every Monday.

This drama serial is based on the life of the inspiring Muslim ruler and military commander Sultan Selahaddin Eyyubi.

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Turkish actor Ugur Gunes is playing the role of Sultan Selahaddin Eyyubi in the drama serial also featuring Pakistani actors Adnan Siddiqui, Humayun Saeed, Kashif Ansari, Junaid Ali Shah and others.

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Aamir Khan to appear on ‘Kapil Sharma Show’ for 1st time

Aamir Khan to appear on ‘Kapil Sharma Show’ for 1st time

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Aamir Khan to appear on 'Kapil Sharma Show' for 1st time

Bollywood icon Aamir Khan will make his debut appearance in an interview with comedian Kapil Sharma.

He recently filmed an episode for Netflix’s upcoming series, “The Great Indian Kapil Show,” as teased in a newly released promo.

Despite having shared public interactions previously, this marks the first time the two stars have collaborated professionally.

According to NDTV’s report last year, during the trailer launch event of “Carry on Jatta 3,” Aamir Khan questioned why he hadn’t been invited to Kapil’s show yet.

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In response, Kapil innocently stated, “I’ve always approached him amidst crowds and requested him to join our show. However, he often mentioned being occupied with other engagements.”

Aamir, the lead actor of “Ghajini,” then assured, “I’ll definitely make it, but please avoid calling me around my movie releases. I prefer not to promote them and would rather entertain.”

Nearly a year later, he has fulfilled his promise.

This is a significant gesture from Aamir, who typically refrains from interview appearances unless it’s for promotional purposes.

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US artist Richard Serra, known for enormous steel sculptures, dead at 85

US artist Richard Serra, known for enormous steel sculptures, dead at 85

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US artist Richard Serra, known for enormous steel sculptures, dead at 85

American artist Richard Serra, whose enormous steel sculptures coated with a fine patina of rust decorated landscapes and dominated oversized galleries in the world’s finest museums, died on Tuesday, the New York Times reported. He was 85.

The artist died at his home on New York’s Long Island of pneumonia, the Times reported, citing his lawyer, John Silberman.

Born in San Francisco in 1938 to a Spanish father and Russian mother, Serra grew up visiting marine shipyards where his father worked and also labored in steel mills to support himself in his youth, according to his San Francisco Museum of Modern Art and Guggenheim Museum biographies.

Despite the large scale of his works, artistically he was considered a minimalist, letting the dimensions of his art relative to the viewer, rather than elaborate imagery, make its point.

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After studying at the University of California, Berkeley, and Yale University, he moved to New York in 1966 where he began making art from industrial materials such as metal, fiberglass and rubber.

Though he would later become quite popular, one of his 1981 works was so poorly received that it was removed from public view in Lower Manhattan, ARTnews said.

“Tilted Arc,” a 120-foot (36-meter) bar of steel, is today “remembered as one of the most reviled works of public art in the city’s history. It was ultimately taken away because people hated it so much,” ARTnews said.

He made a breakthrough in 1969 when he was included in “Nine Young Artists: Theodoron Awards” at New York’s Solomon R. Guggenheim Museum.

After traveling to Spain to study Mozarabic architecture in the early 1980s, his work gained renowned in Europe and with solo exhibitions at major museums in Germany and France.

Serra’s work was especially appreciated in his father’s native Spain, where the Reina Sofia museum offered a 1992 retrospective of his work and he had an exhibit dedicated exclusively to his work at the Frank Gehry-designed Guggenheim museum in Bilbao.

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A 2002 New Yorker magazine profile entitled “Man of Steel” described him as a “stocky, powerful-looking man with a large head, a fringe of close-cropped gray hair, and black eyes whose intense stare reminds you of Picasso’s.”

That same piece told of Serra’s self-realisation that he was not a painter, after seeing Diego Velazquez’s 1656 work “Las Meninas” in the Prado museum in Madrid.

“It pretty much stopped me,” Serra said. “Cezanne hadn’t stopped me, de Kooning and Pollack hadn’t stopped me, but Velazquez seemed like a bigger thing to deal with. That sort of nailed the coffin on painting for me.”

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