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First-ever Israeli-Palestinian boy band wants to be ‘humanitarian’ not ‘political’

First-ever Israeli-Palestinian boy band wants to be ‘humanitarian’ not ‘political’

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First-ever Israeli-Palestinian boy band wants to be 'humanitarian' not 'political'

AS1ONE, a new musical act hailing from the region where the Israel-Hamas war rages on, landed in Los Angeles to record new music on Oct. 6, a day before the war.

The group includes six guys in their early 20s picked out from thousands of auditioners, Billboard’s digital cover story reports.

Four of them are Israeli while two are Palestinian. As the news of the war began to trickle in from their friends and family back home, they clung to each other for support.

“Niv lives not far from where that rave was, so he undoubtedly would have been there,” shared music executive and the group’s producer James Diener, adding that a woman that singer Niv Lin had just started dating was killed in the attack.

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“How crazy is it to get hugs from Palestinian friends when my Israeli friends died?” said Lin. “That’s our story.”

Lin sings in the group alongside Sadik Dogosh, Neta Rozenblat and Nadav Philips, while Ohad Attia offers vocals and guitar with Christian Aseel Farah as the group’s designated rapper.

In fact, Philips and Lin said they had never spoken with a Palestinian person until they joined the group.

After the news of the attacks that killed some 1,200 Israelis, AS1ONE “decided to stay” in LA and record rather than fly back to the region.

“In the beginning, we really felt bad that we couldn’t do anything, that we couldn’t help our families and friends in Israel,” said Attia.

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“But then when you think about it, you really realize we’re on a mission and that we can be helpful. We can show the world.”

On Oct. 8, AS1ONE recorded with songwriters behind BTS tracks, “Butter” and “Permission to Dance.”

“The toughest moments were during the sessions,” Rozenblat reflected. “I was told about two friends that were killed, Niv was told about friends of his that were killed — a lot of us found out about really awful stuff during that session, not to mention that now there’s a whole war going on.”

Philips agreed: “There’s no way to describe how bad you feel. Your first instinct is to go back and be with your friends and family.

Then a few days later, you realize there’s no better service to the world than what we’re doing, and it just gives us a bigger purpose.”

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One of the unreleased songs they recorded is certainly colored by the tragedy.

“What if we just stopped the world,” read the lyrics. “Hold the phone/Faced the hurt/Take me home/We’re not built for this/We’re built for more/Forget the score/Show me what it’s like when we stop the world.”

However, the group seems determined to have a universal message and stay out of the gritty details of the conflict. “We don’t want to be political,” said Farah. “We just want to be ¬humanitarian.”

AS1ONE has not released a debut song just yet, but they’ve already faced strong criticism and roadblocks since their inception over the past two years.

Billboard describes one meeting where “a potential Palestinian talent scout was so opposed to the idea of a mixed band that she flicked her cigarette ashes at” the group’s producers.

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“But as the two explained their history in the business and their vision for the group, the scout uncrossed her arms and listened — and, shortly thereafter, joined the team.

Such unlikely changes of heart happened again and again at meetings throughout the country.”

Diener believes the skeptics “felt our sincerity,” adding, “They didn’t feel like this was in any way a gimmick or a pretext.”

The group’s music is on the way, alongside a five-episode docuseries produced by James Carroll.

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Australia’s richest woman demands gallery remove unflattering portrait

Australia’s richest woman demands gallery remove unflattering portrait

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Australia's richest woman demands gallery remove unflattering portrait

Australia’s richest person Gina Rinehart has demanded the country’s National Gallery to remove a seemingly unflattering portrait of her from display.

Rinehart, 70, is the Executive Chairwoman of Hancock Prospecting, a privately owned mineral exploration and extraction company, and is worth an estimated $30.6bn (£15.9bn).

The award-winning Aboriginal artist Vincent Namatjira included Rinehart in his current large-scale exhibition at the National Gallery of Australia, along with the late Queen Elizabeth II, Jimi Hendrix and football player Adam Goode.

However, Rinehart is seemingly unimpressed with Namatjira’s depiction of her and has lobbied to have it hidden from view.

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The painted image features Rinehart looking straight towards the viewer, with her features distorted in Namatjira’s signature style, as well as including a double chin.

According to Financial Review, several of Rinehart’s associates have sent strongly worded messages to the gallery, with the campaign said to have been quietly discussed in political circles.

However, the Canberra-based National Gallery has declined the request from Rinehart’s camp, with director Nick Mitzevich stating that he “welcomes the public having a dialogue on our collection and displays”.

“Since 1973, when the National Gallery acquired Jackson Pollock’s Blue Poles, there has been a dynamic discussion on the artistic merits of works in the national collection, and/or on display at the gallery,” he said in a statement.

“We present works of art to the Australian public to inspire people to explore, experience and learn about art.”

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The Independent has reached out to representatives of Gina Rinehart for comment.

On social media, some have commented that Rinehart’s attempt to hide the portrait from view has resulted in it receiving more attention.

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Paul McCartney becomes UK’s first billionaire musician

Paul McCartney becomes UK’s first billionaire musician

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Paul McCartney becomes UK's first billionaire musician

Music icon Paul McCartney has become the UK’s first billionaire musician, according to the Sunday Times Rich List published Friday, despite the country recording its largest fall in the billionaire count in the guide’s 36-year history.

The 81-year-old’s fortune was boosted by “strong touring, a valuable back catalogue and even a little help from Beyoncé”, who covered the Beatles song “Blackbird”, said the Rich List, considered the definitive guide of the UK’s wealthy.

McCartney, whose net worth was estimated at £1.0 billion ($1.26 billion), has bucked the trend, with the amount of billionaires in the UK falling from a peak of 177 in 2022 to 165 this year.

This is partly due to plans by the government to scrap the “non-dom tax status” from next year, the system whereby people do not pay UK tax on their overseas earnings.

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“Non-dom” has been a political issue for many years, with Prime Minister Rishi Sunak’s Indian wife Akshata Murty claiming the status, meaning she was not required to pay tax on her shareholding in Infosys, the Bangalore-based IT company co-founded by her father.

However, she said she would pay UK tax on that income after coming under political pressure.

That move has not hit the family’s fortune, with the couple seeing their shares grow in value by £108.8 million to nearly £590 million over the past year, giving the couple a net worth of £615 million, according to the list of 350 individuals and families.

King Charles III’s personal wealth was also estimated to have risen by £10 million to £610 million, thanks to a boost in the net worth of his properties.

Those faring less well include chemicals tycoon Jim Ratcliffe, who bought a stake in Manchester United earlier this year, inventor James Dyson and Virgin entrepreneur Richard Branson, who all saw their multi-billion pound fortunes decrease.

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The list is topped by Indian-born investor Gopi Hinduja and his family for a third successive year. The head of the Indian conglomerate Hinduja Group has an estimated fortune of £37 billion. 

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Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

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Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

This year’s Cannes Film Festival hosts a trio of heartthrobs from the back end of the 20th century, making their comeback on the red carpet: Demi Moore, Kevin Costner and Richard Gere.

From “Ghost” to “Pretty Woman” to “Dances with Wolves”, they are responsible for some of Generation X’s favourite movie moments. AFP looks at what they’ve been up to since.

Demi Moore: ghost girl

On the Croisette, 61-year-old Moore will be making her unexpected return in slasher-horror “The Substance”, competing for the festival’s top prize, the Palme d’Or.

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It has been a long time since Moore came anywhere near a Cannes red carpet, having appeared mostly in small TV roles and forgettable films since the early 2000s.

In her heyday, Moore was a global star after the weepie “Ghost” co-starring the late Patrick Swayze as a murdered businessman who watches over his grieving ceramicist girlfriend from beyond the grave and famously helps her mould clay in a steamy supernatural scene.

Her baggy, androgynous look in that movie — the dungarees and boyish crop — helped define 1990s style, and she had other era-defining hits with steamy dramas “Indecent Proposal” and “Disclosure”.

An Annie Leibovitz photoshoot — showing off her pregnant belly on the cover of Vanity Fair in 1991 — was a stunning move at the time, since copied by Beyonce, Rihanna and others.

She proved her acting chops in meatier 1990s movies such as blockbuster courtroom drama “A Few Good Men” opposite Tom Cruise and Jack Nicholson.

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But since the turn of the century, Moore, who has a life-long passion for collecting dolls and bought an entire house to store her 2,000-strong collection, was in the headlines more for her tumultuous love life than her acting.

She formed two Hollywood power couples, first in the 1980s with “Die Hard” star Bruce Willis, father of her three daughters, and then with Ashton Kutcher, the latter union ending acrimoniously in 2013.

Kevin Costner: forever West

The soft-spoken 69-year-old is back in Cannes in his favourite genre, the Western, with the epic “Horizon: An American Saga”.

Fans are hoping his fourth feature as director — which is out of competition at Cannes — will mark a return to form after a series of expensive duds in the 1990s trashed his Oscar-gilded career.

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His directorial debut “Dances With Wolves”, despite being a three-hour Western, was a global hit and in 1991 won the double Oscar whammy of best picture and director.

As an actor he captured hearts in smash hits “Robin Hood: Prince of Thieves” (1991) and as Whitney Houston’s protector in “The Bodyguard” (1992).

Teaming up with big-gun directors also proved a winning formula, from Oliver Stone’s “JFK” (1991) to Clint Eastwood’s “A Perfect World” (1993).

But then a string of ultra-expensive and hubristic flops — especially “Waterworld” (1995) and “The Postman” (1997) made him into something of a laughing stock.

He continued to work in smaller roles, but invested more in music with his nostalgic country band “Kevin Costner & Modern West”. There has been a late resurgence in his 60s, however, thanks to the long-running hit neo-Western series, “Yellowstone”.

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Richard Gere: zen charm

Gere was the world’s sexiest man according to People Magazine in 1999, when he was 50. By then he had charmed audiences with his quiet seduction in “An Officer and a Gentleman” (1982) and, of course, “Pretty Woman” opposite Julia Roberts.

He and supermodel Cindy Crawford were also the ultimate It-couple. But progressively he gave up glamour for meditation.

Gere had been a Buddhist since he was 25, and increasingly used his fame to speak out, in particular against China’s control of Tibet.

He developed a close friendship with the Dalai Lama and gave a fiery speech against China at the 1993 Oscars that got him barred from future ceremonies.

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It also cost him movie roles in the 2000s as Hollywood sought to tap the vast Chinese market.

For his Cannes comeback, the 74-year-old has reunited with Paul Schrader — who directed him in dark cult favourite “American Gigolo” (1980) — for “Oh, Canada”, playing a Vietnam War draft-evader haunted by his past. 

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