Connect with us

Entertainment

Video game music goes to next level at Grammys

Published

on

Video game music goes to next level at Grammys

Whether it is the catchy chime of a chiptune, the melodies of the metaverse or the latest trending “Super Mario Bros” remix — video game music is seemingly boundless.

Now the growing popularity of the video game industry and years of advocacy from game composers will be reflected in the 2023 Grammy Awards as the Recording Academy announced its inaugural “Best Score Soundtrack for Video Games and Other Interactive Media” category.
Five nominees will compete at Sunday’s Grammys, out of the 70 original scores submitted for the category’s maiden year. The nominees are composers Austin Wintory for “Aliens: Fireteam Elite,” Stephanie Economou for “Assassin’s Creed Valhalla: Dawn of Ragnarok,” Bear McCreary for “Call of Duty: Vanguard,” Richard Jacques for “Marvel’s Guardians of the Galaxy” and Christopher Tin for “Old World.”

The success of video game music coincides with the overall growth of the global games market, which in 2022 generated total revenues of $184.4 billion and is expected to reach $211.2 billion revenue by 2025, according to data analytics firm Newzoo.

The video game industry also flourished during the COVID-19 pandemic as people increasingly turned to digital entertainment during lockdowns. “It was only a matter of time before the Grammys recognized that there were a lot of soundtracks being produced for video games and they’re all very good,” Tin told Reuters.

Advertisement

Tin’s “Baba Yetu” theme for the game “Civilization IV” won the “Best Instrumental Arrangement” Grammy in 2011, making him the first video game nominee and winner, while Wintory’s soundtrack for the game “Journey” was nominated in the “Best Score Soundtrack for Visual Media” in 2012.

“Video games have been making waves with new revenue streams for some time,” Uziel Colon, who helped develop the new category, told the Grammys. “In the future, video games and music will merge — it’s already happening.”

However, video game music has not always hit all the right notes to be specifically recognized at the Grammys.

“Video game music has been eligible for the Grammys since 1999, and only one score had ever been nominated before, which was ten years ago. There are people who I think were dissatisfied with that,” Wintory told Reuters.

Wintory said video games were not being nominated at all when the category they fell under was “Best Score Soundtrack for Film, Television, and Other Media” because being labeled “Other Media” was “marginalizing” them as a sort of miscellaneous category.

Advertisement

But game music is breaking ground through technological innovation and new avenues for consumers to experience it.

This includes live immersive video game concerts, video game scores across platforms like YouTube,Twitch, TikTok and Fortnite, remixes and collaborations, augmented and virtual reality and even eye-tracking technology.

Economou told Reuters that having Grammys recognition provides validation that video game music is shaping “the musical landscape of society.”

McCreary, who has composed music for popular shows like “Battlestar Galactica,” “The Walking Dead,” and “The Lord of the Rings: The Rings of Power” believes composing for games, movies and TV shows is not so different.

“For me, story and theme are universal,” he told Reuters.

Advertisement

Yet, he said video games have unique challenges for composers because they are interactive experiences versus only being witnessed by the audience.

The music must “work in a unique technical capacity, beyond simply supporting narrative,” he added.

Collaborating with game developers and audio teams informs his ability to write music that can be smoothly integrated into a video game.

“It’s a close collaboration unlike anything else in the entertainment industry,” McCreary said.

Advertisement

Entertainment

Australia’s richest woman demands gallery remove unflattering portrait

Australia’s richest woman demands gallery remove unflattering portrait

Published

on

By

Australia's richest woman demands gallery remove unflattering portrait

Australia’s richest person Gina Rinehart has demanded the country’s National Gallery to remove a seemingly unflattering portrait of her from display.

Rinehart, 70, is the Executive Chairwoman of Hancock Prospecting, a privately owned mineral exploration and extraction company, and is worth an estimated $30.6bn (£15.9bn).

The award-winning Aboriginal artist Vincent Namatjira included Rinehart in his current large-scale exhibition at the National Gallery of Australia, along with the late Queen Elizabeth II, Jimi Hendrix and football player Adam Goode.

However, Rinehart is seemingly unimpressed with Namatjira’s depiction of her and has lobbied to have it hidden from view.

Advertisement

The painted image features Rinehart looking straight towards the viewer, with her features distorted in Namatjira’s signature style, as well as including a double chin.

According to Financial Review, several of Rinehart’s associates have sent strongly worded messages to the gallery, with the campaign said to have been quietly discussed in political circles.

However, the Canberra-based National Gallery has declined the request from Rinehart’s camp, with director Nick Mitzevich stating that he “welcomes the public having a dialogue on our collection and displays”.

“Since 1973, when the National Gallery acquired Jackson Pollock’s Blue Poles, there has been a dynamic discussion on the artistic merits of works in the national collection, and/or on display at the gallery,” he said in a statement.

“We present works of art to the Australian public to inspire people to explore, experience and learn about art.”

Advertisement

The Independent has reached out to representatives of Gina Rinehart for comment.

On social media, some have commented that Rinehart’s attempt to hide the portrait from view has resulted in it receiving more attention.

Continue Reading

Entertainment

Paul McCartney becomes UK’s first billionaire musician

Paul McCartney becomes UK’s first billionaire musician

Published

on

By

Paul McCartney becomes UK's first billionaire musician

Music icon Paul McCartney has become the UK’s first billionaire musician, according to the Sunday Times Rich List published Friday, despite the country recording its largest fall in the billionaire count in the guide’s 36-year history.

The 81-year-old’s fortune was boosted by “strong touring, a valuable back catalogue and even a little help from Beyoncé”, who covered the Beatles song “Blackbird”, said the Rich List, considered the definitive guide of the UK’s wealthy.

McCartney, whose net worth was estimated at £1.0 billion ($1.26 billion), has bucked the trend, with the amount of billionaires in the UK falling from a peak of 177 in 2022 to 165 this year.

This is partly due to plans by the government to scrap the “non-dom tax status” from next year, the system whereby people do not pay UK tax on their overseas earnings.

Advertisement

“Non-dom” has been a political issue for many years, with Prime Minister Rishi Sunak’s Indian wife Akshata Murty claiming the status, meaning she was not required to pay tax on her shareholding in Infosys, the Bangalore-based IT company co-founded by her father.

However, she said she would pay UK tax on that income after coming under political pressure.

That move has not hit the family’s fortune, with the couple seeing their shares grow in value by £108.8 million to nearly £590 million over the past year, giving the couple a net worth of £615 million, according to the list of 350 individuals and families.

King Charles III’s personal wealth was also estimated to have risen by £10 million to £610 million, thanks to a boost in the net worth of his properties.

Those faring less well include chemicals tycoon Jim Ratcliffe, who bought a stake in Manchester United earlier this year, inventor James Dyson and Virgin entrepreneur Richard Branson, who all saw their multi-billion pound fortunes decrease.

Advertisement

The list is topped by Indian-born investor Gopi Hinduja and his family for a third successive year. The head of the Indian conglomerate Hinduja Group has an estimated fortune of £37 billion. 

Continue Reading

Entertainment

Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

Published

on

By

Costner, Gere, Demi Moore: Hollywood icons on Cannes comeback trail

This year’s Cannes Film Festival hosts a trio of heartthrobs from the back end of the 20th century, making their comeback on the red carpet: Demi Moore, Kevin Costner and Richard Gere.

From “Ghost” to “Pretty Woman” to “Dances with Wolves”, they are responsible for some of Generation X’s favourite movie moments. AFP looks at what they’ve been up to since.

Demi Moore: ghost girl

On the Croisette, 61-year-old Moore will be making her unexpected return in slasher-horror “The Substance”, competing for the festival’s top prize, the Palme d’Or.

Advertisement

It has been a long time since Moore came anywhere near a Cannes red carpet, having appeared mostly in small TV roles and forgettable films since the early 2000s.

In her heyday, Moore was a global star after the weepie “Ghost” co-starring the late Patrick Swayze as a murdered businessman who watches over his grieving ceramicist girlfriend from beyond the grave and famously helps her mould clay in a steamy supernatural scene.

Her baggy, androgynous look in that movie — the dungarees and boyish crop — helped define 1990s style, and she had other era-defining hits with steamy dramas “Indecent Proposal” and “Disclosure”.

An Annie Leibovitz photoshoot — showing off her pregnant belly on the cover of Vanity Fair in 1991 — was a stunning move at the time, since copied by Beyonce, Rihanna and others.

She proved her acting chops in meatier 1990s movies such as blockbuster courtroom drama “A Few Good Men” opposite Tom Cruise and Jack Nicholson.

Advertisement

But since the turn of the century, Moore, who has a life-long passion for collecting dolls and bought an entire house to store her 2,000-strong collection, was in the headlines more for her tumultuous love life than her acting.

She formed two Hollywood power couples, first in the 1980s with “Die Hard” star Bruce Willis, father of her three daughters, and then with Ashton Kutcher, the latter union ending acrimoniously in 2013.

Kevin Costner: forever West

The soft-spoken 69-year-old is back in Cannes in his favourite genre, the Western, with the epic “Horizon: An American Saga”.

Fans are hoping his fourth feature as director — which is out of competition at Cannes — will mark a return to form after a series of expensive duds in the 1990s trashed his Oscar-gilded career.

Advertisement

His directorial debut “Dances With Wolves”, despite being a three-hour Western, was a global hit and in 1991 won the double Oscar whammy of best picture and director.

As an actor he captured hearts in smash hits “Robin Hood: Prince of Thieves” (1991) and as Whitney Houston’s protector in “The Bodyguard” (1992).

Teaming up with big-gun directors also proved a winning formula, from Oliver Stone’s “JFK” (1991) to Clint Eastwood’s “A Perfect World” (1993).

But then a string of ultra-expensive and hubristic flops — especially “Waterworld” (1995) and “The Postman” (1997) made him into something of a laughing stock.

He continued to work in smaller roles, but invested more in music with his nostalgic country band “Kevin Costner & Modern West”. There has been a late resurgence in his 60s, however, thanks to the long-running hit neo-Western series, “Yellowstone”.

Advertisement

Richard Gere: zen charm

Gere was the world’s sexiest man according to People Magazine in 1999, when he was 50. By then he had charmed audiences with his quiet seduction in “An Officer and a Gentleman” (1982) and, of course, “Pretty Woman” opposite Julia Roberts.

He and supermodel Cindy Crawford were also the ultimate It-couple. But progressively he gave up glamour for meditation.

Gere had been a Buddhist since he was 25, and increasingly used his fame to speak out, in particular against China’s control of Tibet.

He developed a close friendship with the Dalai Lama and gave a fiery speech against China at the 1993 Oscars that got him barred from future ceremonies.

Advertisement

It also cost him movie roles in the 2000s as Hollywood sought to tap the vast Chinese market.

For his Cannes comeback, the 74-year-old has reunited with Paul Schrader — who directed him in dark cult favourite “American Gigolo” (1980) — for “Oh, Canada”, playing a Vietnam War draft-evader haunted by his past. 

Continue Reading

Trending

Copyright © GLOBAL TIMES PAKISTAN