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Songwriter Cynthia Weil, who had hits with husband Barry Mann, honored at California memorial

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Songwriter Cynthia Weil, who had hits with husband Barry Mann, honored at California memorial

As guests filed into Sunday’s music-filled memorial for Cynthia Weil, they smiled in recognition and sang along to a string of hit songs she co-wrote that were played on speakers in a lush courtyard of the Beverly Hills Hotel.

Weil, the Grammy-winning lyricist who enjoyed a decades-long partnership with husband Barry Mann and helped compose “You’ve Lost That Lovin’ Feeling,” “On Broadway,” “Walking in the Rain” and dozens of other timeless tunes, died last week at age 82.

Singer Tony Orlando, who hosted the private event from a small stage with a grand piano, admonished attendees that despite the cloudy skies the day was not to be mournful, but a sunny celebration.

“I want the applause to be loud!” he said. Orlando performed “Bless You,” the 1961 ballad that gave Weil and Mann their first top 20 hit. They were married within months of the song’s release. 

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White-coated waiters distributed trays of bright green apple martinis, Weil’s favorite cocktail, to her friends, family members and show business contemporaries. Among those raising their glasses were Mann, record producer Lou Adler, singer Carol Bayer Sager and songwriters Carole King, Jeff Barry, Mike Stoller and Diane Warren.

Weil and Mann were one of popular music’s most successful teams, part of a crew of young songwriters based in Manhattan’s Brill Building neighborhood, near Times Square. With such hit-making duos as King and Gerry Goffin and Barry and Ellie Greenwich, the Brill Building hit factory turned out many of the biggest singles of the ’60s and beyond.

The couple was collaborators with producer Phil Spector on songs for the Ronettes (“Walking in the Rain”), the Crystals (“He’s Sure the Boy I Love”) and other singers, and also provided hits for everyone from Lionel Richie to Leo Sayer.

Their most famous collaboration, a song that would become historic, was “You’ve Lost That Lovin’ Feeling,” a soulful anthem produced by Spector with epic strings and sung with desperate intensity by the Righteous Brothers, Bill Medley and Bobby Hatfield. “You’ve Lost That Lovin’ Feeling” topped the charts in 1965 and was covered by numerous other artists.

Appearing at the memorial via a recorded video, Bill Medley said Weil and Mann didn’t just write the Righteous Brothers a hit, “They wrote us a career!” According to Broadcast Music Inc. (BMI), no other song was played more on radio and television in the 20th century.

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Dolly Parton, who also appeared on video, recalled her career being sent “out into space” when the country star scored a crossover pop hit in 1977 with “Here You Come Again,” written by Weil and Mann.

“She left a great body of work,” Parton said.

Weil and Mann were inducted into the Songwriters Hall of Fame in 1987 and the Rock & Roll Hall of Fame in 2010. They were supporting characters in the hit Broadway musical about King, “Beautiful,” which opened in 2013 and documented the intense friendship and rivalry between the two married couples. Mann and Weil’s musical “They Wrote That?” had a brief run in 2004.

On Sunday, with Paul Shaffer on piano, King performed “Somewhere Out There,” a song Weil wrote with James Horner for the soundtrack of “An American Tail.” It won Grammys in 1987 for best song and best song for a movie or television, and was nominated for an Academy Award and Golden Globe.

Weil’s daughter, Dr. Jenn Mann, said the songwriter died last Thursday at her home in Beverly Hills, California. She remembered her mother Sunday as a loving wife to Mann, a devoted grandmother to her two girls, a lover of animals, and a soft-hearted romantic who could surprise people with her no-nonsense business sense.

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While many of Weil’s peers struggled once the Beatles caught on in the mid-1960s, she continued to make hits, sometimes with Mann, or with other partners. Weil helped write the Peabo Bryson ballad “If Ever You’re In My Arms Again”; James Ingram’s “Just Once”; and the Pointer Sisters’ “He’s So Shy.” In 1997, she was in the top 10 again with Hanson’s “I Will Come to You.”

And her talents extended beyond love ballads. She and Mann wrote one of rock’s first anti-drug songs, “Kicks,” a hit for Paul Revere and the Raiders in 1966. The Animals had a hit with her tale of working class frustration, “We’ve Got to Get Out of This Place.” The Crystals’ “Uptown” was a 1961 hit that touched upon race and class in ways not often heard in rock’s early years.

Appearing on video, rocker Paul Stanley of KISS recalled being a fledgling songwriter as a teenager in New York and scouring the credits on his favorite records.

“Invariably, songs that I loved, I would see her name on it,” Stanley said.

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Harvey Weinstein expected in New York court after rape conviction overturned

Harvey Weinstein expected in New York court after rape conviction overturned

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Harvey Weinstein expected in New York court after rape conviction overturned

Harvey Weinstein is due to appear in state court in Manhattan on Wednesday for the first time since New York’s highest court threw out his 2020 rape conviction last week.

The hearing before Judge Curtis Farber will give prosecutors and Weinstein’s lawyers a chance to address the next steps for the former film mogul, which could include a new trial.

“Harvey is looking forward to his day in a fair court,” said Weinstein’s spokesperson, Juda Engelmayer.

Weinstein, 72, has been serving a 23-year sentence in a prison in upstate Rome, New York. He is currently at Bellevue Hospital, where he was transferred following last week’s order, according to Engelmayer.

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Jurors in Manhattan convicted Weinstein in February 2020 of sexually assaulting former production assistant Miriam Haley in 2006 and of raping aspiring actress Jessica Mann in 2013. They are among more than 80 women who have accused him of sexual misconduct.

The conviction included charges of first-degree sexual assault and third-degree rape. Weinstein, who has denied having non-consensual sexual encounters with anyone, was acquitted on other charges.

The verdict was hailed as a milestone for the #MeToo movement, in which women accused hundreds of men in entertainment, media, politics and other fields of sexual misconduct.

Last week, the New York Court of Appeals found that Judge James Burke, who presided over the trial, made a critical mistake by allowing three women to testify about alleged sexual assaults by Weinstein that were not part of the criminal charges against him. The court said this “prior bad acts” testimony violated his right to a fair trial.

The office of Manhattan District Attorney Alvin Bragg has signaled it plans to retry Weinstein.

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“We will do everything in our power to retry this case, and remain steadfast in our commitment to survivors of sexual assault,” Emily Tuttle, a spokesperson for Bragg, said in an email last week.

The case was brought by Bragg’s predecessor, Cyrus Vance.

Regardless of whether he is retried, Weinstein is not likely to be released from jail because he was also sentenced to 16 years following his separate rape trial in California. The two sentences cannot be served concurrently.

Burke is no longer on the bench, so any retrial would be before a different judge.

Weinstein co-founded the Miramax film studio, whose hit movies included “Shakespeare in Love” and “Pulp Fiction.” His own eponymous film studio filed for bankruptcy in March 2018.

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‘Operation Madonna’: Rio readies for singer’s free mega-concert

‘Operation Madonna’: Rio readies for singer’s free mega-concert

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'Operation Madonna': Rio readies for singer's free mega-concert

Madonna’s long-awaited free concert on Rio de Janeiro’s Copacabana Beach has upended the neighborhood, with over a million fans expected — but for retired resident Mario Renato Borges, it’s the least the singer deserves.

“Welcome, Queen,” read some posters near the huge stage erected on the Brazilian beach, where Madonna will on Saturday give the biggest show of her 40-year career and the last of her “Celebration Tour.”

The 65-year-old American singer arrived in the coastal city on Monday after more than 80 shows in Europe, the United States and Mexico. This will be her only stop in South America.

The “Like A Virgin” and “Material Girl” performer traveled to Brazil with three planes and 270 tons of equipment, according to her production company.

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She has set up camp at the luxurious Copacabana Palace hotel, connected to the stage by a suspended catwalk that dozens of fans crowded under this week, hoping to catch a glimpse of the pop star.

The biggest dance floor

Thanks to free admission, organizers expect Madonna’s concert to produce the “world’s biggest dance floor” of up to 1.5 million people — a figure only reached on the same beach by the Rolling Stones in 2006.

“The traffic is chaos but the concert will be great, especially because it’s Madonna, the queen of pop,” says resident Borges, who lives in Leme, a neighborhood at the end of Copacabana Beach.

Madonna’s fourth performance in Rio will contribute some 293 million reais (US$57 million) to the local economy, an income 30 times higher than what city authorities invested, according to the mayor’s office.

Around 150,000 foreigners are expected to swarm the city, with most hotels already fully booked.

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“This will undoubtedly be one of Rio’s biggest international events. It will boost our economy and attract tourists from Brazil, Latin American and all over the world,” said the city’s Tourism Secretary Daniela Maia.

Return of the conical corset

Madonna fever is clear to see in Rio — the so-called “Marvelous City” — as the hours tick down to her performance.

At the Lix printing shop in the popular downtown Saara shopping district, the songs of the “Material Girl” are playing on loop to inspire devotees who can choose from personalized fans, hats or mugs.

Manager Livia Reis, 23, tells AFP that her store went viral on social media shortly after the concert was announced thanks to an influencer who visited the Madonna-inspired shop.

“A guy came in, took a photo and a video, and sent them to a fan club with 150,000 followers in Portugal. From there, it jumped to TikTok and Instagram,” she says.

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One particularly popular item is a replica of the conical corset created by French designer Jean Paul Gaultier, which Madonna famously wore on stage in 1990.

Sold as a bra or a top, the item is “doing very well,” says Reis, who expects there will be “queues out of the door” in the days ahead of the concert.

Patrols on the corners

“All this activity is good for tourism, hotels and restaurants. But let’s hope the security is up to the task,” says 68-year-old Rio local Borges.

The mayor’s office has prepared an operation equivalent to New Year’s Eve celebrations in Copacabana, one of the most famous in the world that typically brings down some one million people.

“Operation Madonna” will see some 4,500 agents deployed, working with drones and facial recognition cameras. There will be police patrols on almost every street corner in the neighborhood.

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Nagila Alves, 54, who works for a pest control company, was on her way to a client’s home when she stopped to take a photo of the impressive stage set up for Madonna.

“I will always love her. Madonna is timeless,” she tells AFP, adding she plans to delay her arrival on Saturday to dodge the crowds swarming to the front of the stage.

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Selena Gomez on social media: ‘I find it frustrating’

Selena Gomez on social media: ‘I find it frustrating’

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Selena Gomez on social media: 'I find it frustrating'

Selena Gomez feels frustrated by social media. The 31-year-old star has a huge online following, but Gomez often takes breaks from social media platforms to escape the negativity.

The brunette beauty – who has more than 400 million followers on Instagram – said at the TIME100 Summit: “I find it frustrating. Then I get a little mouthy and I want to defend the people I love.”

Gomez believes it’s important to take breaks from social media to retain a sense of perspective.

The actress – who is currently dating record producer Benny Blanco – explained: “I took four years off of Instagram, and I let my team post for me for those years. I felt like it was the most rewarding gift I gave myself.”

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Meanwhile, Gomez previously claimed that there’s “so much strength in being vulnerable”.

The Only Murders In The Building star has spoken openly about her mental health struggles over recent years, and Gomez admitted that she’s found it to be a “very freeing” experience.

She told Wondermind: “I don’t love giving advice because I don’t have all of the answers.

“I’d say, though, find a friend or a family member you feel comfortable talking with and open up about what you are feeling. It’s very freeing to open up to someone. There is so much strength in being vulnerable.”

Despite this, Gomez doesn’t have any regrets over how she’s dealt with her own struggles.

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The actress – who first found fame as a child – explained: “I try and not look back and wish anything could have been different. What I am happy about is that more people are opening up about their mental health.”

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