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Hubble sees boulders escaping from asteroid dimorphos

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Hubble sees boulders escaping from asteroid dimorphos

 The popular 1954 rock song “Shake, Rattle and Roll,” could be the theme music for the Hubble Space Telescope’s latest discovery about what is happening to the asteroid Dimorphos in the aftermath of NASA’s DART (Double Asteroid Redirection Test) experiment. DART intentionally impacted Dimorphos on September 26, 2022, slightly changing the trajectory of its orbit around the larger asteroid Didymos.

Astronomers using Hubble’s extraordinary sensitivity have discovered a swarm of boulders that were possibly shaken off the asteroid when NASA deliberately slammed the half-ton DART impactor spacecraft into Dimorphos at approximately 14,000 miles per hour.

The 37 free-flung boulders range in size from three feet to 22 feet across, based on Hubble photometry. They are drifting away from the asteroid at little more than a half-mile per hour – roughly the walking speed of a giant tortoise. The total mass in these detected boulders is about 0.1% the mass of Dimorphos.

“This is a spectacular observation – much better than I expected. We see a cloud of boulders carrying mass and energy away from the impact target. The numbers, sizes, and shapes of the boulders are consistent with them having been knocked off the surface of Dimorphos by the impact,” said David Jewitt of the University of California at Los Angeles, a planetary scientist who has been using Hubble to track changes in the asteroid during and after the DART impact. “This tells us for the first time what happens when you hit an asteroid and see material coming out up to the largest sizes. The boulders are some of the faintest things ever imaged inside our solar system.”

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Jewitt says that this opens up a new dimension for studying the aftermath of the DART experiment using the European Space Agency’s upcoming Hera spacecraft, which will arrive at the binary asteroid in late 2026. Hera will perform a detailed post-impact survey of the targeted asteroid. “The boulder cloud will still be dispersing when Hera arrives,” said Jewitt. “It’s like a very slowly expanding swarm of bees that eventually will spread along the binary pair’s orbit around the Sun.”

The boulders are most likely not shattered pieces of the diminutive asteroid caused by the impact. They were already scattered across the asteroid’s surface, as evident in the last close-up picture taken by the DART spacecraft just two seconds before collision, when it was only seven miles above the surface.

Jewitt estimates that the impact shook off two percent of the boulders on the asteroid’s surface. He says the boulder observations by Hubble also give an estimate for the size of the DART impact crater. “The boulders could have been excavated from a circle of about 160 feet across (the width of a football field) on the surface of Dimorphos,” he said. Hera will eventually determine the actual crater size.

Long ago, Dimorphos may have formed from material shed into space by the larger asteroid Didymos. The parent body may have spun up too quickly or could have lost material from a glancing collision with another object, among other scenarios. The ejected material formed a ring that gravitationally coalesced to form Dimorphos. This would make it a flying rubble pile of rocky debris loosely held together by a relatively weak pull of gravity. Therefore, the interior is probably not solid, but has a structure more like a bunch of grapes.

It’s not clear how the boulders were lifted off the asteroid’s surface. They could be part of an ejecta plume that was photographed by Hubble and other observatories. Or a seismic wave from the impact may have rattled through the asteroid – like hitting a bell with a hammer – shaking lose the surface rubble.

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“If we follow the boulders in future Hubble observations, then we may have enough data to pin down the boulders’ precise trajectories. And then we’ll see in which directions they were launched from the surface,” said Jewitt.

The DART and LICIACube (Light Italian CubeSat for Imaging of Asteroids) teams have also been studying boulders detected in images taken by LICIACube’s LUKE (LICIACube Unit Key Explorer) camera in the minutes immediately following DART’s kinetic impact.

The Hubble Space Telescope is a project of international cooperation between NASA and ESA. NASA’s Goddard Space Flight Center in Greenbelt, Maryland, manages the telescope. The Space Telescope Science Institute (STScI) in Baltimore, Maryland, conducts Hubble and Webb science operations. STScI is operated for NASA by the Association of Universities for Research in Astronomy, in Washington, D.C. 

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A former OpenAI leader says safety has ‘taken a backseat to shiny products’ at the AI company

A former OpenAI leader says safety has ‘taken a backseat to shiny products’ at the AI company

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A former OpenAI leader says safety has 'taken a backseat to shiny products' at the AI company

A former OpenAI leader who resigned from the company earlier this week said Friday that safety has “taken a backseat to shiny products” at the influential artificial intelligence company.

Jan Leike, who ran OpenAI’s “Superalignment” team alongside a company co-founder who also resigned this week, wrote in a series of posts on the social media platform X that he joined the San Francisco-based company because he thought it would be the best place to do AI research.

“However, I have been disagreeing with OpenAI leadership about the company’s core priorities for quite some time, until we finally reached a breaking point,” wrote Leike, whose last day was Thursday.

An AI researcher by training, Leike said he believes there should be more focus on preparing for the next generation of AI models, including on things like safety and analyzing the societal impacts of such technologies.

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He said building “smarter-than-human machines is an inherently dangerous endeavor” and that the company “is shouldering an enormous responsibility on behalf of all of humanity.”

“OpenAI must become a safety-first AGI company,” wrote Leike, using the abbreviated version of artificial general intelligence, a futuristic vision of machines that are as broadly smart as humans or at least can do many things as well as people can.

Open AI CEO Sam Altman wrote in a reply to Leike’s posts that he was “super appreciative” of Leike’s contributions to the company was “very sad to see him leave.”

Leike is “right we have a lot more to do; we are committed to doing it,” Altman said, pledging to write a longer post on the subject in the coming days.

The company also confirmed Friday that it had disbanded Leike’s Superalignment team, which was launched last year to focus on AI risks, and is integrating the team’s members across its research efforts.

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Leike’s resignation came after OpenAI co-founder and chief scientist Ilya Sutskever said Tuesday that he was leaving the company after nearly a decade.

Sutskever was one of four board members last fall who voted to push out Altman — only to quickly reinstate him. It was Sutskever who told Altman last November that he was being fired, but he later said he regretted doing so.

Sutskever said he is working on a new project that’s meaningful to him without offering additional details.

He will be replaced by Jakub Pachocki as chief scientist. Altman called Pachocki “also easily one of the greatest minds of our generation” and said he is “very confident he will lead us to make rapid and safe progress towards our mission of ensuring that AGI benefits everyone.”

On Monday, OpenAI showed off the latest update to its artificial intelligence m

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US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

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US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

The U.S. Justice Department and TikTok on Friday asked a U.S. appeals court to set a fast-track schedule to consider the legal challenges to a new law requiring China-based ByteDance to divest TikTok’s U.S. assets by Jan. 19 or face a ban.

TikTok, ByteDance and a group of TikTok content creators joined with the Justice Department in asking the U.S. Court of Appeals for the District of Columbia to rule by Dec. 6 to be able to seek review from the Supreme Court if needed before the U.S. deadline. 

On Tuesday, a group of TikTok creators filed suit to block the law that could ban the app used by 170 million Americans, saying it has had “a profound effect on American life.”

Last week, TikTok and parent company ByteDance filed a similar lawsuit, arguing that the law violates the U.S. Constitution on a number of grounds including running afoul of First Amendment free speech protections.

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“In light of the large number of users of the TikTok platform, the public at large has a significant interest in the prompt disposition of this matter,” the U.S. Justice Department and TikTok petitioners said.

TikTok said with a fast-track schedule it believes the legal challenge can be resolved without it needing to request
emergency preliminary injunctive relief.

The law, signed by President Joe Biden on April 24, gives ByteDance until Jan. 19 to sell TikTok or face a ban. The White House says it wants to see Chinese-based ownership ended on national security grounds, but not a ban on TikTok.

The parties asked the court to set the case for oral arguments as soon as practical during the September case calendar. The Justice Department said it may file classified material to support the national security justifications in secret with the court.

Earlier this week the Justice Department said the TikTok law “addresses critical national security concerns in a manner that is consistent with the First Amendment and other constitutional limitations.”

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The law prohibits app stores like Apple and Alphabet’s Google from offering TikTok and bars internet hosting services from supporting TikTok unless ByteDance divests TikTok.

Driven by worries among U.S. lawmakers that China could access data on Americans or spy on them with the app, the measure was passed overwhelmingly in Congress just weeks after being introduced.

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Spotify sued over alleged unpaid royalties

Spotify sued over alleged unpaid royalties

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Spotify sued over alleged unpaid royalties

Music streaming giant Spotify has been sued in a US federal court for allegedly underpaying songwriters, composers and publishers by tens of millions of dollars.

The lawsuit against Spotify USA was filed in New York on Thursday by the Mechanical Licensing Collective (MLC), a non-profit that collects and distributes royalties owed from music streaming services.

The suit alleges that Spotify on March 1, without advance notice, reclassified its paid subscription services, resulting in a nearly 50 percent reduction in royalty payments to MLC.

“The financial consequences of Spotify’s failure to meet its statutory obligations are enormous for Songwriters and Music Publishers,” MLC said.

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“If unchecked, the impact on Songwriters and Music Publishers of Spotify’s unlawful underreporting could run into the hundreds of millions of dollars.”

According to MLC, Spotify reclassified its Premium Individual, Duo and Family subscription streaming plans as Bundled Subscription Offerings because they now include audiobooks.

Royalties paid on bundled services are significantly less. MLC said Premium subscribers already had access to audiobooks and “nothing has been bundled with it.”

“Premium is exactly the same service that Spotify offered to its subscribers before the launch of Audiobooks Access,” it said. In a statement, Spotify said the lawsuit “concerns terms that publishers and streaming services agreed to and celebrated years ago.”

Spotify said it paid a “record amount” in royalties last year and “is on track to pay out an even larger amount in 2024.” “We look forward to a swift resolution of this matter,” the Swedish company said.

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In February, Spotify said it paid $9 billion to musicians and publishers last year, about half of which went to independent artists. 

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