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Movie Review: Denzel Washington’s vigilante battles the Italian mafia in ‘Equalizer 3’

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Movie Review: Denzel Washington's vigilante battles the Italian mafia in 'Equalizer 3'

There’s an awful lot of talk about the end of movie stars considering Denzel Washington is right over here, walking around.

Antoine Fuqua’s “Equalizer 3,” a taut and textured sequel to Washington’s vigilante series, isn’t one of the actor’s best films. It wouldn’t crack his top 10. But it vividly encapsulates Washington’s formidable on-screen potency.

You might think this would be in the movie’s brutal action sequences, but no. It’s the scenes of Washington fastidiously having a cup of tea at a sidewalk cafe or strolling the streets of a Sicilian town. This is a movie stitched together less by its plot mechanics than the pleasure of watching Denzel smirk, scowl and smile, in leisurely scenes mixed in with all the murder.

In that way, the “Equalizer” movies (the third of which is certainly the best of a so-so bunch), remind me of those great Walter Matthau thrillers like “Charley Varrick” and “Hopscotch” — movies about old men with expressive eyebrows who are set in their ways but have plenty of tricks left up their sleeve. (Washington, now 68, also took over Matthau’s role in the remake of “Pelham One Two Three.” )

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There’s no shortage these days of older stars plying their special sets of skills in action thrillers. Throw a stone in a movie theater and you’re likely to hit (and risk drawing the lethal ire of) Liam Neeson, Harrison Ford or Tom Cruise. “Equalizer 3,” an all-in-all good entry in the genre, is on the bloodier end of the spectrum.

Yet curiously neither the fight sequences (rapid and grotesque) nor the film’s sense of suspense (perfunctory) are much of a selling point. The film, scripted by Richard Wenk, opens with a trail of bodies through the main house of an Sicily vineyard. In the wine cellar calmly sits Robert McCall (Washington), who shrugs, “Wouldn’t let me in, so…”

“The Equalizer” is loosely based on an 1980s TV series about a former intelligence service agent who spends his retirement bringing the scales of justice back in balance for regular folks he happens to encounter. And there’s a pleasantly episodic quality to the third film in the series.

A bullet in the back leaves McCall laid up in recovery after he’s taken in by a kindly village doctor named Enzo (Remo Girone). We’re in Southern Italy. Most of the film was shot along the Amalfi coast, specifically the enchanting medieval fishing village of Atrani.

If there’s one truly implausible thing about “Equalizer 3,” it’s the fact that there isn’t a tourist in sight. McCall, who once out of bed strolls the village’s cobbled steps with a cane, seems to be the only American in town. He’s quickly charmed by the people who warmly welcome the “Americano.”

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And the same time, the Camorra mafia is pushing harder into the village, with intentions of driving out locals to make room for hotels and casinos.

They make a small army of designer-dressed, tattoo-covered thugs, and they descend on the village, unaware of the lurking elite vigilante quietly sipping tea across the street from their shakedowns or eating pasta at the next table.

The well-traveled Fuqua, who helmed both prior “Equalizer” movies and first directed Washington in “Training Day,” is in his genre wheelhouse here. He trails McCall patiently and soaks up the local color, with a few touches of Christian imagery from the church above the town. T

here’s a sinister, ominous sense of evil scourges — a heinous drug from Syria, sold by the mafia is funding terrorists cells — seeping into a society of “good people.”

The clear dichotomy of good and bad is cozy, and so, too, is Washington’s savage, untroubled dispatching of the mafia ring.

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There are CIA officials in the mix, too, including Dakota Fanning’s desk clerk turned operative. But they are mostly following McCall’s lead. He — Washington really — is in a league of his own, and “Equalizer 3,” smartly, doesn’t even try to suggest it’s a close race. Not all are created equal, after all.

“Equalizer 3,” a Sony Pictures release, is rated R by the Motion Picture Association for strong bloody violence and some language. Running time: 109 minutes. Three stars out of four.

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Harvey Weinstein expected in New York court after rape conviction overturned

Harvey Weinstein expected in New York court after rape conviction overturned

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Harvey Weinstein expected in New York court after rape conviction overturned

Harvey Weinstein is due to appear in state court in Manhattan on Wednesday for the first time since New York’s highest court threw out his 2020 rape conviction last week.

The hearing before Judge Curtis Farber will give prosecutors and Weinstein’s lawyers a chance to address the next steps for the former film mogul, which could include a new trial.

“Harvey is looking forward to his day in a fair court,” said Weinstein’s spokesperson, Juda Engelmayer.

Weinstein, 72, has been serving a 23-year sentence in a prison in upstate Rome, New York. He is currently at Bellevue Hospital, where he was transferred following last week’s order, according to Engelmayer.

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Jurors in Manhattan convicted Weinstein in February 2020 of sexually assaulting former production assistant Miriam Haley in 2006 and of raping aspiring actress Jessica Mann in 2013. They are among more than 80 women who have accused him of sexual misconduct.

The conviction included charges of first-degree sexual assault and third-degree rape. Weinstein, who has denied having non-consensual sexual encounters with anyone, was acquitted on other charges.

The verdict was hailed as a milestone for the #MeToo movement, in which women accused hundreds of men in entertainment, media, politics and other fields of sexual misconduct.

Last week, the New York Court of Appeals found that Judge James Burke, who presided over the trial, made a critical mistake by allowing three women to testify about alleged sexual assaults by Weinstein that were not part of the criminal charges against him. The court said this “prior bad acts” testimony violated his right to a fair trial.

The office of Manhattan District Attorney Alvin Bragg has signaled it plans to retry Weinstein.

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“We will do everything in our power to retry this case, and remain steadfast in our commitment to survivors of sexual assault,” Emily Tuttle, a spokesperson for Bragg, said in an email last week.

The case was brought by Bragg’s predecessor, Cyrus Vance.

Regardless of whether he is retried, Weinstein is not likely to be released from jail because he was also sentenced to 16 years following his separate rape trial in California. The two sentences cannot be served concurrently.

Burke is no longer on the bench, so any retrial would be before a different judge.

Weinstein co-founded the Miramax film studio, whose hit movies included “Shakespeare in Love” and “Pulp Fiction.” His own eponymous film studio filed for bankruptcy in March 2018.

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‘Operation Madonna’: Rio readies for singer’s free mega-concert

‘Operation Madonna’: Rio readies for singer’s free mega-concert

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'Operation Madonna': Rio readies for singer's free mega-concert

Madonna’s long-awaited free concert on Rio de Janeiro’s Copacabana Beach has upended the neighborhood, with over a million fans expected — but for retired resident Mario Renato Borges, it’s the least the singer deserves.

“Welcome, Queen,” read some posters near the huge stage erected on the Brazilian beach, where Madonna will on Saturday give the biggest show of her 40-year career and the last of her “Celebration Tour.”

The 65-year-old American singer arrived in the coastal city on Monday after more than 80 shows in Europe, the United States and Mexico. This will be her only stop in South America.

The “Like A Virgin” and “Material Girl” performer traveled to Brazil with three planes and 270 tons of equipment, according to her production company.

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She has set up camp at the luxurious Copacabana Palace hotel, connected to the stage by a suspended catwalk that dozens of fans crowded under this week, hoping to catch a glimpse of the pop star.

The biggest dance floor

Thanks to free admission, organizers expect Madonna’s concert to produce the “world’s biggest dance floor” of up to 1.5 million people — a figure only reached on the same beach by the Rolling Stones in 2006.

“The traffic is chaos but the concert will be great, especially because it’s Madonna, the queen of pop,” says resident Borges, who lives in Leme, a neighborhood at the end of Copacabana Beach.

Madonna’s fourth performance in Rio will contribute some 293 million reais (US$57 million) to the local economy, an income 30 times higher than what city authorities invested, according to the mayor’s office.

Around 150,000 foreigners are expected to swarm the city, with most hotels already fully booked.

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“This will undoubtedly be one of Rio’s biggest international events. It will boost our economy and attract tourists from Brazil, Latin American and all over the world,” said the city’s Tourism Secretary Daniela Maia.

Return of the conical corset

Madonna fever is clear to see in Rio — the so-called “Marvelous City” — as the hours tick down to her performance.

At the Lix printing shop in the popular downtown Saara shopping district, the songs of the “Material Girl” are playing on loop to inspire devotees who can choose from personalized fans, hats or mugs.

Manager Livia Reis, 23, tells AFP that her store went viral on social media shortly after the concert was announced thanks to an influencer who visited the Madonna-inspired shop.

“A guy came in, took a photo and a video, and sent them to a fan club with 150,000 followers in Portugal. From there, it jumped to TikTok and Instagram,” she says.

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One particularly popular item is a replica of the conical corset created by French designer Jean Paul Gaultier, which Madonna famously wore on stage in 1990.

Sold as a bra or a top, the item is “doing very well,” says Reis, who expects there will be “queues out of the door” in the days ahead of the concert.

Patrols on the corners

“All this activity is good for tourism, hotels and restaurants. But let’s hope the security is up to the task,” says 68-year-old Rio local Borges.

The mayor’s office has prepared an operation equivalent to New Year’s Eve celebrations in Copacabana, one of the most famous in the world that typically brings down some one million people.

“Operation Madonna” will see some 4,500 agents deployed, working with drones and facial recognition cameras. There will be police patrols on almost every street corner in the neighborhood.

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Nagila Alves, 54, who works for a pest control company, was on her way to a client’s home when she stopped to take a photo of the impressive stage set up for Madonna.

“I will always love her. Madonna is timeless,” she tells AFP, adding she plans to delay her arrival on Saturday to dodge the crowds swarming to the front of the stage.

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Selena Gomez on social media: ‘I find it frustrating’

Selena Gomez on social media: ‘I find it frustrating’

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Selena Gomez on social media: 'I find it frustrating'

Selena Gomez feels frustrated by social media. The 31-year-old star has a huge online following, but Gomez often takes breaks from social media platforms to escape the negativity.

The brunette beauty – who has more than 400 million followers on Instagram – said at the TIME100 Summit: “I find it frustrating. Then I get a little mouthy and I want to defend the people I love.”

Gomez believes it’s important to take breaks from social media to retain a sense of perspective.

The actress – who is currently dating record producer Benny Blanco – explained: “I took four years off of Instagram, and I let my team post for me for those years. I felt like it was the most rewarding gift I gave myself.”

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Meanwhile, Gomez previously claimed that there’s “so much strength in being vulnerable”.

The Only Murders In The Building star has spoken openly about her mental health struggles over recent years, and Gomez admitted that she’s found it to be a “very freeing” experience.

She told Wondermind: “I don’t love giving advice because I don’t have all of the answers.

“I’d say, though, find a friend or a family member you feel comfortable talking with and open up about what you are feeling. It’s very freeing to open up to someone. There is so much strength in being vulnerable.”

Despite this, Gomez doesn’t have any regrets over how she’s dealt with her own struggles.

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The actress – who first found fame as a child – explained: “I try and not look back and wish anything could have been different. What I am happy about is that more people are opening up about their mental health.”

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