Entertainment
‘Godzilla x Kong’ dominates North American box office for a second week
‘Godzilla x Kong’ dominates North American box office for a second week
Godzilla x Kong” extended its monstrous reign over the North American box office for a second weekend, according to estimates Sunday from industry watcher Exhibitor Relations.
The feature, which sees the enormous gorilla and reptilian giant set their differences aside and team up to save their species — and ours — took in $31.7 million over the weekend in the United States and Canada, according to the figures.
In second place with an estimated $10 million in ticket sales was action film “Monkey Man,” which British actor Dev Patel both directs and stars in.
The thriller, set in India, is “ultra-violent, driven by class differences, corruption and personal vengeance,” said analyst David A. Gross.
“Foreign stories do not always work in North America; it’s working here,” he wrote, adding: “it’s going to be very profitable.” In third place was “Ghostbusters: Frozen Empire,” which took in $9 million.
Co-written by Jason Reitman, whose father Ivan Reitman directed the first “Ghostbusters” in 1984, the film teams a new cadre of ghost catchers with the original cast as they take on a frightening deity trying to launch a new Ice Age.
In fourth place was the horror film “The First Omen,” an intrigue between the Catholic Church and the forces of evil. It grossed $8.4 million in North American cinemas.
Relegated to fifth place, “Kung Fu Panda 4,” Universal and DreamWorks Animation’s martial arts comedy, which earned $7.9 million.
Rounding out the top 10 were:
“Dune: Part Two” ($7.2 million)
“Someone like you” ($3 million)
“Wicked Little Letters” ($1.6 million)
“Arthur the King” ($1.5 million)
“Immaculate” ($1.4 million)
Entertainment
Taylor Swift closed her $2 billion Eras tour on top of the world. Now what?
The nearly two-year-long, $2 billion Eras tour shattered records, made history and quite literally triggered earthquakes – so what could Taylor Swift, the planet’s biggest star, possibly do next?
“Taylor Swift just needs to rest, frankly,” said Andrew Mall, an ethnomusicologist at Northeastern University.
It’s a wholly reasonable sentiment when you look at what the megastar, who turns 35 on Friday, has accomplished, including releasing nine albums in five years alongside a concert feature film.
The career-spanning global odyssey of a tour she just staged was like nothing that came before it: 149 shows across the world that typically clocked in at more than three hours long each.
Eras tour tickets sold for sometimes exorbitant prices and drew in millions of fans, along with many more who didn’t get in and were willing to simply sing along from the parking lot.
“I think she can’t top it right away,” Mall told AFP. “There’s just no possible way she can turn around and launch something else that has as large an impact, cultural and economic.”
For Kristin Lieb, an expert at Emerson College on pop, gender and branding, the question of what’s next isn’t even particularly fair.
“The minute you finish a marathon, or the minute you win the World Series, or the minute somebody gets tenure, you know, the first question is, what are you going to do next?” she told AFP.
“I’m starting to make sense of that as a real cultural sickness.”
‘Up to her’
But in an industry that’s constantly seeking what’s young, new or fresh, “what’s next” is nevertheless always front of mind.
The Swifties are still waiting on more “Taylor’s Version” albums: Since 2021 Swift has been making good on her vow to re-record her first six studio records in a bid to own the rights to them.
She’s got two left, “Reputation” and “Taylor Swift.”
Swift also has the Grammys in early February to look forward to, with six nominations including three in the most prestigious categories for her latest studio album, “The Tortured Poets Department,” her fifth since 2019.
At this year’s gala she used her award acceptance speeches to announce that new album – another surprise up her sleeve would surely delight fans.
But looking past “what’s next” is perhaps a larger question: how does an artist define success when they’re already a cultural phenomenon, awash in riches and fame?
“The good news for her is, like, she’s literally the biggest star in the world, and so that is entirely up to her at this point,” said Lieb.
Live albums, a Vegas residency, further extending her incredibly recognizable brand into products? Anything is possible at the House of Swift.
Years ago it was announced she had penned an original screenplay and would be making her feature directorial debut with Searchlight Pictures – so maybe she now has her sights set on the Oscars.
Swiftie loyalty
In any case, at this point Swift doesn’t necessarily need to keep her fans constantly fed to keep them loyal.
She’s fostered a community that is somewhat self-sustaining – a contemporary, mostly online version of the fan engagement the Grateful Dead pioneered, which saw Deadheads commune in their reverence for the band.
Swifties might honor a request from their beloved to give her time and space, Lieb said – “I do think that she’s cultivated a relationship with them such that they could hear that and respect that.”
The Eras tour, Mall pointed out, also bloomed from years of prolific music-making and audience-building – so she might need time to develop more material before accomplishing another feat of that magnitude, if that’s a goal of hers.
And in the mix of everyone else’s expectations, Lieb said Swift might want to take a moment to consider what it is she herself wants: “What would be challenging and fulfilling for her?”
Swift does of course have a personal life, famously so: for more than a year she’s been very publicly dating NFL star Travis Kelce, and might want simply enjoy herself and the fruits of her labor.
And in the grand scheme of it all, a key question remains: “Do we need Taylor Swift, or does she need us?” said Mall. “I think she doesn’t need us, right?”
“And maybe we do her.”
Entertainment
Humaira calls out Firdous Jamal for remarks against showbiz women
Actress Humaira Bano has criticised Firdous Jamal for his ‘disrespectful’ comments.
Appearing on a podcast, Humaira called out Firdous for belittling actresses in the industry, particularly those who are in their 30s.
In a previous podcast appearance, Firdous had made headlines for age-shaming Mahira Khan.
Humaira was upset by his comments and didn’t hold back when discussing Firdous.
She said: “I felt angry and sad after hearing Firdous Jamal’s inappropriate remarks against the women who are working in the showbiz industry.
“I have worked with him in the past, but now I won’t work with him.
“Firdous Sahab, I am telling you, you are also a person with low character, just like you think the women in the industry are.
“Your sons are also part of this industry, and not only this, you have earned your bread and butter through this industry all your life, which you now abuse.”
Firdous’ previous comments about Mahira Khan and the “ideal age” for a film heroine sparked outrage.
Entertainment
Shah Rukh, Gauri plan to make their house Mannat more luxurious
Shah Rukh Khan and Gauri Khan’s Mumbai home, Mannat, is set to become even more stunning.
Latest updates have it that Gauri has applied for permission to add two more floors to the six-storey building, turning it into an eight-storey masterpiece.
If approved, the expansion will cost around Rs25 crore. Built in 1914, Mannat is a heritage property and one of Mumbai’s top landmarks.
Thousands of fans gather outside the house every year on Shah Rukh’s birthday and during festivals like Eid, hoping to see Bollywood’s King Khan wave from his balcony.
Shah Rukh bought Mannat in 2001 after his mother-in-law found his previous home too small. He only had Rs2 crore in savings but managed to buy the house, then worth Rs30 crore, by taking a big loan. Gauri, an interior designer, handled the house’s interiors as they didn’t have enough money for a professional.
Shah Rukh repaid the loan in just four years, and today, Mannat is worth around Rs200 crore.
The planned expansion will make Mannat even more luxurious while keeping its charm intact. Gauri Khan, known for her elegant designs, will oversee the project.
Mannat is more than a house—it’s a symbol of Shah Rukh Khan’s journey, from a newcomer in Bollywood to one of India’s biggest stars.
Fans love the home as much as they love the actor, making it a must-visit spot in Mumbai.
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