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65 years ago, a voice from space changed technology forever

65 years ago, a voice from space changed technology forever

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65 years ago, a voice from space changed technology forever

On Dec 19, 1958, President Dwight Eisenhower made a Christmas address that would change the course of history.

While the content of his speech wasn’t exactly the Gettysburg Address, it has endured as a moment in history for the last 65 years because of how it was delivered — in space.

In fact, Eisenhower’s holiday message was the first time in human history that we here on Earth heard a voice broadcast through space.

“This is the President of the United States speaking. Through the marvels of scientific advance, my voice is coming to you via a satellite circling in outer space. My message is a simple one: Through this unique means I convey to you and all mankind, America’s wish for peace on Earth and goodwill toward men everywhere.”

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The satellite that carried the message was cobbled together from commercial communications equipment by the Army Signal Corps. Called the Signal Communication by Orbiting RElay, or SCORE, it launched on Dec. 18, 1958.

It was a secretive affair: fewer than 100 people knew about the project and, of those, only 35 knew in advance about the president’s message.

Eisenhower’s tape had actually been a last-minute addition: Other tapes with pre-recorded messages had already been sealed in the rocket’s capsule, so the engineers had to overwrite the tapes with radio waves to make room for Eisenhower’s clipped tones.

When SCORE launched just a week before Christmas 1958, it was a milestone for space travel: SCORE made it into orbit and broadcast Eisenhower’s message via shortwave radio, but it was also the first successful launch of the Atlas rocket system — a family of missiles that were once delivery vehicles for nukes and were now tasked with the brand-new business of putting satellites in space.

But still, that this was the first time a voice was heard from space is what makes this launch truly historic. People around the world could use their radios to hear the signal, albeit with plenty of hiss. Both radio and TV stations broadcast the message, too, for audiences of millions.

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SCORE was a revolution in tech built on war: Just a year prior to SCORE’s launch, the USSR launched Sputnik 1, the first satellite to orbit Earth. Sputnik 1 carried meteorological sensors to measure data from Earth’s upper atmosphere and relay it back to scientists in the USSR. It spurred the United States to start work on its own satellites that could talk to ground control.

Its tech was primitive compared to today’s satellites. But SCORE proved that audio communication via space was possible, said James David, a curator at the Smithsonian’s National Air and Space Museum.

“The important thing is that it was the first communication satellite and it was part of an overall program of the United States to get a variety of satellites in space,” he said.

And unlike today’s satellites, most (if not all) of which are powered by solar panels, SCORE relied entirely on battery power. Over the course of 35 days, it ran for just eight hours total time before losing juice.

By January 21, 1959, SCORE’s orbit had decayed to the point that it plunged back into the atmosphere and burned up, leaving nothing behind but a powerful legacy.

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Sixty-five years later, SCORE has paved the way for satellites to be used in everything from phone calls and texting to television broadcasts and global Internet coverage — and it all started with a reminder to be kind.

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A former OpenAI leader says safety has ‘taken a backseat to shiny products’ at the AI company

A former OpenAI leader says safety has ‘taken a backseat to shiny products’ at the AI company

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A former OpenAI leader says safety has 'taken a backseat to shiny products' at the AI company

A former OpenAI leader who resigned from the company earlier this week said Friday that safety has “taken a backseat to shiny products” at the influential artificial intelligence company.

Jan Leike, who ran OpenAI’s “Superalignment” team alongside a company co-founder who also resigned this week, wrote in a series of posts on the social media platform X that he joined the San Francisco-based company because he thought it would be the best place to do AI research.

“However, I have been disagreeing with OpenAI leadership about the company’s core priorities for quite some time, until we finally reached a breaking point,” wrote Leike, whose last day was Thursday.

An AI researcher by training, Leike said he believes there should be more focus on preparing for the next generation of AI models, including on things like safety and analyzing the societal impacts of such technologies.

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He said building “smarter-than-human machines is an inherently dangerous endeavor” and that the company “is shouldering an enormous responsibility on behalf of all of humanity.”

“OpenAI must become a safety-first AGI company,” wrote Leike, using the abbreviated version of artificial general intelligence, a futuristic vision of machines that are as broadly smart as humans or at least can do many things as well as people can.

Open AI CEO Sam Altman wrote in a reply to Leike’s posts that he was “super appreciative” of Leike’s contributions to the company was “very sad to see him leave.”

Leike is “right we have a lot more to do; we are committed to doing it,” Altman said, pledging to write a longer post on the subject in the coming days.

The company also confirmed Friday that it had disbanded Leike’s Superalignment team, which was launched last year to focus on AI risks, and is integrating the team’s members across its research efforts.

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Leike’s resignation came after OpenAI co-founder and chief scientist Ilya Sutskever said Tuesday that he was leaving the company after nearly a decade.

Sutskever was one of four board members last fall who voted to push out Altman — only to quickly reinstate him. It was Sutskever who told Altman last November that he was being fired, but he later said he regretted doing so.

Sutskever said he is working on a new project that’s meaningful to him without offering additional details.

He will be replaced by Jakub Pachocki as chief scientist. Altman called Pachocki “also easily one of the greatest minds of our generation” and said he is “very confident he will lead us to make rapid and safe progress towards our mission of ensuring that AGI benefits everyone.”

On Monday, OpenAI showed off the latest update to its artificial intelligence m

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US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

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US, TikTok seek fast-track schedule, ruling by Dec. 6 on potential ban

The U.S. Justice Department and TikTok on Friday asked a U.S. appeals court to set a fast-track schedule to consider the legal challenges to a new law requiring China-based ByteDance to divest TikTok’s U.S. assets by Jan. 19 or face a ban.

TikTok, ByteDance and a group of TikTok content creators joined with the Justice Department in asking the U.S. Court of Appeals for the District of Columbia to rule by Dec. 6 to be able to seek review from the Supreme Court if needed before the U.S. deadline. 

On Tuesday, a group of TikTok creators filed suit to block the law that could ban the app used by 170 million Americans, saying it has had “a profound effect on American life.”

Last week, TikTok and parent company ByteDance filed a similar lawsuit, arguing that the law violates the U.S. Constitution on a number of grounds including running afoul of First Amendment free speech protections.

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“In light of the large number of users of the TikTok platform, the public at large has a significant interest in the prompt disposition of this matter,” the U.S. Justice Department and TikTok petitioners said.

TikTok said with a fast-track schedule it believes the legal challenge can be resolved without it needing to request
emergency preliminary injunctive relief.

The law, signed by President Joe Biden on April 24, gives ByteDance until Jan. 19 to sell TikTok or face a ban. The White House says it wants to see Chinese-based ownership ended on national security grounds, but not a ban on TikTok.

The parties asked the court to set the case for oral arguments as soon as practical during the September case calendar. The Justice Department said it may file classified material to support the national security justifications in secret with the court.

Earlier this week the Justice Department said the TikTok law “addresses critical national security concerns in a manner that is consistent with the First Amendment and other constitutional limitations.”

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The law prohibits app stores like Apple and Alphabet’s Google from offering TikTok and bars internet hosting services from supporting TikTok unless ByteDance divests TikTok.

Driven by worries among U.S. lawmakers that China could access data on Americans or spy on them with the app, the measure was passed overwhelmingly in Congress just weeks after being introduced.

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Spotify sued over alleged unpaid royalties

Spotify sued over alleged unpaid royalties

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Spotify sued over alleged unpaid royalties

Music streaming giant Spotify has been sued in a US federal court for allegedly underpaying songwriters, composers and publishers by tens of millions of dollars.

The lawsuit against Spotify USA was filed in New York on Thursday by the Mechanical Licensing Collective (MLC), a non-profit that collects and distributes royalties owed from music streaming services.

The suit alleges that Spotify on March 1, without advance notice, reclassified its paid subscription services, resulting in a nearly 50 percent reduction in royalty payments to MLC.

“The financial consequences of Spotify’s failure to meet its statutory obligations are enormous for Songwriters and Music Publishers,” MLC said.

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“If unchecked, the impact on Songwriters and Music Publishers of Spotify’s unlawful underreporting could run into the hundreds of millions of dollars.”

According to MLC, Spotify reclassified its Premium Individual, Duo and Family subscription streaming plans as Bundled Subscription Offerings because they now include audiobooks.

Royalties paid on bundled services are significantly less. MLC said Premium subscribers already had access to audiobooks and “nothing has been bundled with it.”

“Premium is exactly the same service that Spotify offered to its subscribers before the launch of Audiobooks Access,” it said. In a statement, Spotify said the lawsuit “concerns terms that publishers and streaming services agreed to and celebrated years ago.”

Spotify said it paid a “record amount” in royalties last year and “is on track to pay out an even larger amount in 2024.” “We look forward to a swift resolution of this matter,” the Swedish company said.

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In February, Spotify said it paid $9 billion to musicians and publishers last year, about half of which went to independent artists. 

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